Arts Council Collection

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Thompson, Jason

MIRROR SUN CLOUD

Jason Thompson’s paintings are influenced by mechanical, botanic and anatomical diagrams. Each of his works begins as a series of improvised marks, which are then ‘repeated, copied and overlaid’ to form part of a larger complex pattern. Thompson avoids planning his paintings. Rather, he prefers them to emerge from an organic process of trial and error – a way of working that the artist feels is analogous to natural evolutionary processes.

AFTER THE LIFE MASK OF WILLIAM BLAKE

Jason Thompson’s paintings are influenced by mechanical, botanic and anatomical diagrams. Each of his works begins as a series of improvised marks, which are then ‘repeated, copied and overlaid’ to form part of a larger complex pattern. Thompson avoids planning his paintings. Rather, he prefers them to emerge from an organic process of trial and error – a way of working that the artist feels is analogous to natural evolutionary processes.

MIRROR MASK CLOUD

Jason Thompson’s paintings are influenced by mechanical, botanic and anatomical diagrams. Each of his works begins as a series of improvised marks, which are then ‘repeated, copied and overlaid’ to form part of a larger complex pattern. Thompson avoids planning his paintings. Rather, he prefers them to emerge from an organic process of trial and error – a way of working that the artist feels is analogous to natural evolutionary processes.

SONORA A.C

Jason Thompson’s paintings are influenced by mechanical, botanic and anatomical diagrams. Each of his works begins as a series of improvised marks, which are then ‘repeated, copied and overlaid’ to form part of a larger complex pattern. Thompson avoids planning his paintings. Rather, he prefers them to emerge from an organic process of trial and error – a way of working that the artist feels is analogous to natural evolutionary processes.

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